Ambivalent Desires: Representations of Modernity and Private by María Mercedes Andrade PDF

By María Mercedes Andrade

Ambivalent wants: Representations of Modernity and personal existence in Colombia (1890s-1950s) is a literary and cultural examine of the reception of modernity in Colombia. in contrast to prior experiences of Latin American modernization, that have frequently fascinated with the general public element of the method, this e-book discusses the intersection among modernity and the non-public sphere. It analyzes canonical and non-canonical works that mirror the present ambivalence towards the modernizing venture being applied within the nation on the time, and it discusses how the texts in query reinterpret, adapt, or even reject the ideology of modernity. the focal point of the research is how the certainty of the connection among modernity and personal existence pertains to the undertaking of creating a latest country, and the discontinuities and contradictions that seem within the procedure. The query of what modernity is, its implications for lifestyle, and its desirability or undesirability as a brand new cultural paradigm have been crucial concerns in Colombian texts from the tip of the 19th century during the first half the 20 th. At stake used to be the definition of the nation's identification and the undertaking of breaking clear of the cultural styles of the colonial earlier. considering the it sounds as if peaceable strategy of modernization in Colombia used to be interrupted within the Fifties by way of the eruption of political violence around the kingdom, this examine situates itself at the eve of a predicament and asks how representations of modernity in texts from the interval facts the social fragmentation which could have ended in it. The ebook starts with an research of the topic of the non-public assortment within the paintings of JosZ Asunci-n Silva, and the way it's used to suggest a particular thought of non-public and cultural identification. It maintains with an research of the modernizing ideology of the preferred journal El GrOfico through the interval of financial prosperity of the Nineteen Twenties referred to as the 'Dance of the Millions,' concentrating on the publication's ads and the part dedicated to girls and the house. for this reason, the canonical writings of TomOs Rueda Vargas are analyzed within the context of the relation among autobiographical writing and public existence, emphasizing the contradiction among the author's public liberalism and his inner most conservatism, and highlighting his critique of contemporary existence. The works of formerly overlooked girls writers Manuela Mallarino Isaacs, Juana SOnchez Lafaurie, and Fabiola Aguirre are studied within the context of women's dating to modernity and their clash among conventional roles that relegated them to the personal sphere, and their wish to settle for smooth criteria. The booklet concludes with an research of the novels of Ignacio G-mez DOvila, that have acquired scant awareness to this date, because it discusses his critique of the higher periods' flight into the non-public and what the writer sees as their alienation from a society at the verge of a crisis.

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Ambivalent Desires: Representations of Modernity and Private Life in Colombia (1890s-1950s) by María Mercedes Andrade


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